Dello Joio's early works already reveal certain characteristics of his style.

His works also reveal the proximity he felt towards God and show his deep devotion.

Further works revealed that the structure was largely intact underneath the ground.

While these works revealed his skill and inventiveness, they fell out of taste after his death.

The 50 works on view reveal as much variety and ability to engage as most good painting exhibitions do.

His published works reveal a great love for the Australian landscape and were illustrated with his own photographs.

The works reveal shared convictions toward modernism and breaking links with the past.

The works reveal a move towards that invisible border as a painted space unto itself".

Surprisingly, these works quickly revealed large decorated blocks buried in the sand.

These works also reveal the governing philosophy and systems by which the state was run during Joseon.