figure bass

It is the first work to be published with a figured bass.

There were 67 poems, some of which had simple melodies and a figured bass.

In traditional notation it would be written using figured bass symbols.

Sometimes the figured bass number changes but the bass note itself does not.

Reading music from a figured bass was a skill that all keyboard and piano players were expected to have.

The recording has a figured bass realization, and both repeats in the first movement are taken.

The chord names are given, followed where necessary by the inversion in figured bass.

In modern editions of old music the figured bass part has normally been realized (written out) by the editor.

Basso continuo or figured bass, a kind of musical notation.

This is why it is called figured bass or sometimes thoroughbass.

The second part of the Musical Guide describes how variation may be introduced in figured bass.

The work is scored for violin and keyboard (with occasional figured bass markings in the second movement).

In 1948 he published a book on basso continuo and figured bass musical notation.

Improvised accompaniment over a figured bass was a common practice during the Baroque era, and to some extent the following periods.

He harmonized the figured bass both in the solo music (based on the Leipzig full score) and elsewhere.

See figured bass for alternate method of notating specific notes in the bass.

It's almost like figured bass.

Figured bass was, at this time, in decline and Corri invented a new system of accompaniments.

There are also some technical exercises, a table of intervals, and some modulating figured basses.

Opus 4 - 12 sonatas for violin and figured bass (1726 Paris)

Figured bass is closely associated with basso continuo accompaniment.

Any organist can attest to that, as can anyone who has ever studied figured bass and keyboard harmony.

Particularly important was the publication of a portion of his figured bass exercises, which were used by teachers for decades after his death.

Essentially the musician, without the full specification of the figured bass, approaches harmonic perfection by listening and repetition.

Other forms of chord notation have been devised, from figured bass to the chord chart.