Right: An early engraving of a boat horse on the Bridgewater Canal.

The work followed an early seventeenth-century engraving and the appearance of other local buildings.

While Brighton has a superficial symmetry of appearance when viewed from the beach, or in early nineteenth-century engravings, close examination shows almost the exact opposite.

As with earlier engravings, such as Industry and Idleness, individual prints were sold on "ordinary" paper for 1s.

This is doubted, however, by Hind, who sees no evidence of a background in niello technique in his early engravings.

While designing tapestries was neither prestigious nor well paid, Goya used them, along with his early engravings, to bring himself to wider attention.

An early engraving, used in his ads, depicts the building as having three stories and a cupola.

Possibly Nicolas-Henri used scraps of copper from his father's workshop for his early engravings.

An early 18th-century engraving of the castle shows a ruin, but with a considerable amount of stonework still visible.

No records of it exist except in early engravings.