He stood up, drawing Sting from its sheath, and faced the eyes.

Moore describes the creation of Constantine as being drawn from a number of "really good ideas... about serial killers, the Winchester House, and... want[ing] to draw Sting in a story."

Frodo drew Sting (12) and made a great sweeping stroke and sprang back to avoid the lashing of the threads.

Then filled with a sudden resolve he drew Sting.

He drew Sting and ran towards the open gate.

Sam tried to put up a fight unseen, but even as he was about to draw Sting he was run down and trampled by the rush of the Orcs.

But Frodo sprang up, and drew Sting from its sheath.

His performances were featured prominently in the album and film of the show and drew Sting major critical attention.

But Frodo draws Sting.

He drew Sting and ran towards the open gate - only to feel a shock, as if he had run into some web like Shelob's but invisible.