He also wrote freely for reviews, and acted as dramatic critic for more than one newspaper.
He wrote as a dramatic critic to the New Times and later as a foreign correspondent.
Similar testimony to his skill is borne by all the best dramatic critics of the time.
His first job was as dramatic critic for The Times.
On December 17, 1896, he was a dramatic critic for a Rochester newspaper.
About 1850, he became dramatic critic of The Times.
He became literary editor of the London Globe in 1885, and was also well known as a dramatic critic.
He is known for having been the youngest dramatic critic on Fleet Street.
He started there in the press gallery, and subsequently, in 1882, became their dramatic critic.
His reputation as a dramatic and literary critic was, at one time considerable in Europe, though England knew little of this.