He is most known for his skull portraits that are set within the tradition of Vanitas.

These vanitas symbols imply beauty where we do not expect it.

It is easy to imagine this idea descending into the pathos of the vanitas.

He is known for vanitas and tromp l'oeil paintings like his father's.

He also painted vanitas still lifes, pronkstillevens and game pieces.

These vanitas images have been re-interpreted through the last 400 years of art history, starting with Dutch painters around 1600.

There's not much humanity there, even when he does the vanitas pictures (the ones with skulls etc.).

He is further known for vanitas paintings.

These paintings are related to vanitas and transience motifs.

Like other still lifes of this period, these paintings were usually expressing vanitas allegories.

These sorts of symbols were often incorporated into vanitas paintings, a variety of early still life.

Within this context, he repeatedly refers to the duality of the vanitas theme in classic painting.

Pronkstillevens are usually interpreted as a form of vanitas painting that conveys a moral lesson.

Several of his paintings treat the subjects of vanitas, transience and mortality.

Vanitas: Level two mementos that allow the sin-eater to regain spent willpower.

Destroying the vanitas of another sin-eater grants full willpower.

A mood of punk vanitas is established by lit candles, which drip wax onto the floor.

Yet "The Unknown" feels contemporary and relatable; he's a vanitas we can live with.

The sin-eater must make their own vanitas, and it can be anything they wish it to be.

As suggested by the title, the work is considered within the genre of "vanitas", a category of art showing death and decay.

But this particular vanitas is complicated.

The threshold of a vanitas is the threshold of the sin-eater.

Vanitas is the main dining restaurant.

Both Netherlandish and Spanish still lifes often had a moral vanitas element.

He is also a co-owner of a boutique called Vanitas owned by his cousin Crystal.