subtractive synthesis

The following is an example of subtractive synthesis as it might occur in an electronic instrument.

Roland understood that their subtractive synthesis method needed to be changed.

These are essential to subtractive synthesis.

Harmless - Performs subtractive synthesis using an additive synthesis engine.

Subtractive synthesis is based on filtering harmonically rich waveforms.

That's subtractive synthesis for you.

Subtractive synthesis depends upon filtering a harmonically rich oscillator waveform.

Clough said the program made "music out of talk", while Jacobs described the process as one of "distillation and subtractive synthesis".

Although the basic structure of the OSCar is the common subtractive synthesis model, it has many unusual features and design quirks.

Other manufacturers were soon arriving with instruments using similar ingredients of samples and effects, though still using traditional subtractive synthesis with better technology.

The standard digital filter, available with both additive and subtractive synthesis, is known for its rather extreme self-oscillation at higher resonance settings.

See subtractive synthesis.

It is based on the same sound generating principles such as subtractive synthesis as used in vintage modular synthesizers.

It is unique in that it is capable of both subtractive synthesis and additive synthesis.

In musical terms, they are often described as sounding hollow, and are therefore used as the basis for wind instrument sounds created using subtractive synthesis.

Electronic filters are particularly important in subtractive synthesis, being designed to pass some frequency regions through unattenuated while significantly attenuating ("subtracting") others.

Many digital, virtual analog and software synthesizers utilise subtractive synthesis, sometimes in conjunction with other methods of sound synthesis.

A single floppy disk can hold 4 "systems", each of which stores 32 patches including all subtractive synthesis parameters and the multisamples used in those patches.

He took an extension course on Analog Subtractive Synthesis at UCLA in 1984.

The K4 is based on subtractive synthesis based on sampled waveforms, the K1 and K5 are additive synthesizers.

LA Synthesis employed traditional subtractive synthesis combined with PCM-based samples.

The result is usually a rather static and buzzy waveform which only takes on life after being synthesized through the DSS-1's analog subtractive synthesis engine.

Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis.

Pseudo random noise is used in some electronic musical instruments, either by itself or as an input to subtractive synthesis, and in many white noise machines.

The synthesized waveforms could be pulse width modulated and could be passed through a digital 4-stage Low Pass filter, allowing for subtractive synthesis.