sostenuto pedal

K0862 around the corner, where it picked up perhaps its most esoteric part, the sostenuto pedal.

On grand pianos, the middle pedal is a sostenuto pedal.

Not all pianos have a Sostenuto pedal, however.

Other American piano builders quickly adopted the sostenuto pedal into their piano design.

The Sostenuto pedal of the grand piano is necessary for a right rendering of the final four bars.

The middle pedal is called the sostenuto pedal.

When the pianist releases the sostenuto pedal, those two parts are supposed to drop the dampers smoothly.

Features includes a genuine sostenuto pedal, soft close fall and new 100% virgin wool fibre hammers.

In 1874, Albert Steinway perfected and patented the sostenuto pedal.

He was often credited, erroneously, with invention of the sostenuto pedal, which the Boisselot brothers invented in 1844.

All concert grand pianos have a sostenuto pedal, and some modern upright pianos do as well.

The middle, or sostenuto pedal, sustains a single note or group of notes without sustaining subsequent notes played.

Some upright pianos have a middle pedal that is not a sostenuto pedal at all, but a practice pedal.

The sostenuto pedal should not be confused with the much more commonly used sustain pedal, which undampens all the strings on the piano.

Allora e ora is a suite of character pieces on various Italian subjects, and has an elaborate use of the sostenuto pedal.

All Steinway grand pianos feature fully-functional una corda, damper and sostenuto pedals.

Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote:

This definition alone would make it sound as if the sostenuto pedal accomplishes the same thing as the damper, or "sustaining" pedal.

The sostenuto pedal is a similar device that sustains only notes which are depressed at the time the pedal is depressed.

The vertical pianos built at Steinway's factory in New York City also have fully-functional sostenuto pedals.

Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano.

Unlike in-home digital pianos, stage pianos typically use an external sostenuto pedal and a separate keyboard stand (rather than a built-in stand).

In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal.

Among other innovations Boisselot presented for the first time at the exhibition a mechanism by which individual notes and sounds were identified as Tonhalte or sostenuto pedal today.

Joseph Banowetz suggests using the sostenuto pedal: the pianist should pedal cleanly while allowing sympathetic vibration of the low bass strings to provide the desired "blur".