sixth chord

In jazz, this form is referred to as a major sixth chord.

"This is the simplest in the world," just a sophisticated sixth chord.

The Neapolitan sixth chord is particularly common in minor keys.

However, this may be used as the derivation of the augmented sixth chord.

There are a number of augmented sixth chords.

Augmented sixth chords are occasionally used with a different chord member in the bass.

Sometimes, "inverted" augmented sixth chords occur as a product of voice leading.

Other theorists have tried to make the case that this resolution of the augmented sixth chord is more frequently acceptable.

Tchaikovsky considered the augmented sixth chords as being altered dominants.

A minor seventh chord contains the same notes as an added sixth chord.

To demonstrate this, so-called "Neapolitan sixth chords" are used.

The composer also uses Neapolitan sixth chords to express the wickedness of the knight.

It has much in common with the first movement, including extensive use of the Neapolitan sixth chord and several written-out cadenzas.

This expansion culminates in a Neapolitan sixth chord that leads into the 8 bar coda.

Both this section and the end of the anthem contain superb examples of the Neapolitan sixth chord.

The German sixth chord contains the same notes as a dominant seventh chord, though it functions differently.

The key of A major is the only key where a Neapolitan sixth chord on requires both a flat and a natural accidental.

For example, consider an open-voiced major sixth chord, starting with the root on the sixth string:

The Neapolitan Sixth chord resolves to the V.

In modern popular music, a sixth chord is any triad with an added sixth above the root as a chord factor.

The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music.

In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone.

Other variants of augmented sixth chords are sometimes found in the repertoire, and are sometimes given whimsical geographical names.

Neapolitan sixth chords as chromatic subdominants.

When not otherwise specified, it usually means a major triad with an added major sixth interval (a major sixth chord).