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The church has a rood screen dating from around 1425.
In 1841 the east gallery over the rood screen was taken down.
They walked almost to the rood screen together and knelt again.
The base of a rood screen with four panels is still present.
The rood screen has the same function, but a different layout.
The early Gothic western rood screen was built in 1250.
There is a rood screen above the entrance to the sanctuary.
The rood screen is still present, and has retained its loft.
He was behind the rood screen, kneeling in front of the altar.
The west gallery incorporates part of the original rood screen.
She is also depicted on at least seven painted rood screens around the same county.
The rood screen and all internal decoration were removed at this time.
On the rood screen there are sixteen paintings of kings.
A rood screen and new reredos were also installed at this time.
It is situated above the rood screen with Christ in the centre of the top.
Indeed, the ornamental style is very reminiscent of the rood screen.
The now blocked up rood screen can be seen over the doorway in the centre.
They all squatted on the paving-stone before the rood screen.
The rood screen dates from about 1500 and is richly carved.
Also from that century is the rood screen, which still has traces of painted decoration.
Between them is a 14th-century rood screen complete with its loft.
The rood screen, that wonderful feature of the medieval church, was now universal.
A rood screen and the altar have been placed in the chancel.
The rood screen and loft were removed in 1840.
The rood screen survives and there is some interesting stained glass.
Calmly, the Teacher moved two steps back behind the choir screen.
Small faces covered this side of the choir screen.
In the church itself, the choir screen teemed with almost 300 carved heads.
The crossing is bounded to the east by the choir screen with the organ above.
In the 14th century the choir screen and the chapter house were added.
The monks sat in rows facing each other surrounded by the choir screen, which rose 10 to 12 feet behind them.
At the same time a simple oak central altar was installed in the nave to the west of the choir screen.
Work continued on the building intermittently into the 16th century, when the choir screen was constructed.
He wrapped his arm around her and they walked under the choir screen and out into the transept.
It was during this time that Skidmore created the cathedral's choir screen.
The elaborately carved "pulpitum" or choir screen was built in 1350.
There is also an episcopal throne, separated from the nave by a choir screen (1324) and a stately West front.
The choir, choir screen and immense west window are textbook examples of Gothic design.
When I'd said choir screen, he'd corrected me politely but firmly: pulpitum.
Repairs to the choir screen in York Minster (1814-1818).
The rib-vaulted ceilings, he tells us (although we probably would have guessed) are Victorian additions, as is the choir screen.
Many of its original features are intact, such as the sanctuary mosaics and the elaborate wrought iron choir screen.
The interior of the church contains an early-Renaissance choir screen, a stone pulpit and a monumental organ.
The choir screen and flanking arches (circa 1375-1425) are covered with intricate stone carving of great beauty.
In 1682, the choir screen (built in 1252) was broken out to expand the quire towards the nave.
At Gloucester Cathedral, he designed the Gothic choir screen, erected in 1820.
Ante-chapel is the term given to that portion of a chapel which lies on the western side of the choir screen.
The wrought iron choir screen dates from 1927, when Holy Trinity became pro-cathedral.
Peeking about between the dark wood of the carved choir screens, she saw several stacks of rolls and sighed in relief.
The choir screen of the abbey church is now in the parish church of Varzy.
Inside the church the base of the chancel screen can still be seen.
The former chancel screen and the reredos are also hidden.
The windows and chancel screen were added in the 15th century.
The chancel screen has five bays with an arched opening.
The chancel screen is in Perpendicular style and dates from about 1920.
At some time a medieval chancel screen was removed.
There also may have been some spiritual connotation similar to the chancel screen in churches.
The church has one of the most beautiful interiors with a fine reredos and chancel screen.
A wrought iron chancel screen was added in 1895.
In the church is an elaborately carved chancel screen.
Low chancel screen installed, with evidence that there was at some time another screen above it.
It is noted for its 15th-century painted and carved chancel screen.
Its church is 500 years old; there is a richly-carved Chancel screen.
The dado of the chancel screen, which dates from a period between about 1500 and 1525, is in two bays on each side.
The chancel screen is Jacobean in style and decorated with arcades.
These include the chancel screen and the pulpit.
The first is the chancel screen which retains two sections of the original oak arcading.
He swept up the nave under the chancel screen and into the small, icy sacristy.
They went beneath the simple chancel screen, across the sanctuary into a small lady chapel which lay in the far corner of the church.
The reredos and chancel screen date from 1926.
The chancel screen incorporates parts of the earlier rood screen.
He finished his prayers, made the sign of the cross, and crouched with his back against the chancel screen.
The chancel screen dates from the 15th century.
The chancel screen was erected in 1892.
The chancel screen and pulpit are both made from traceried timber.
In 1958, the rood beam was added as a memorial to the local Gower family.
On the rood beam there is a baroque crucifix from 18th century.
Nevertheless over time, the rood beam and its sculptures tended to become incorporated into the chancel screen in new or reworked churches.
Restoration work in 2010 exposed remnants of an early 14th-century crucifixion scene above the rood beam over the chancel arch.
The rood beam dating from 1915-16 was by Sir Giles Gilbert Scott.
The 16th-century polychrome rood beam spanning the nave is decorated with 12 prophetesses (on the chancel side) and scenes from the Passion.
The panels and uprights of the screen did not support the loft, which instead rested on a substantial transverse beam called the "rood beam" or "candle beam".
The chancel screen and other furnishings were provided by Temple Moore in 1898-99 and rood beam figures by Lang of Oberammagau.
The chancel arch is 14th-century, plain with no mouldings and traces of an earlier roof gable above it, and preserving two sawn-off ends of the rood beam.
The earliest roods hung from the top of the chancel arch, or rested on a plain "rood beam" across it, usually at the level of the capitals of the columns.
Sir Charles Nicholson designed the gilded reredos, the organ case, and the side screen, between 1900 and 1910, and the rood beam in 1920, and also possibly the gates to the chapel.
The design contains gothic influences, such as the magnificent stained glass blue-heart window, and pre-Reformation style elements, such as the replica of the original rood beam, which is unique in Scotland.
The figures on the rood beam (Jesus, St. Mary, and St. John) were carved by artists from Oberamergau, Germany, who were brought over to Wisconsin by Bp.
In parish churches, the space between the rood beam and the chancel arch was commonly filled by a boarded or lath and plaster tympanum, set immediately behind the rood figures and painted with a representation of the Last Judgement.
It boasts fine wood carvings, with the reredos crafted by London's Mowbray & Co., Ltd. and the rood beam and other pieces by J. Jungwirth Co. and Pom-McFate Co. of Detroit.
Later fittings include a reredos and sedilia in alabaster dating from 1879 containing mosaic and statues, a rood beam with figures from 1925, and an altar with a canopy in a chapel at the northwest of the church dating from 1921.
In many East Anglian and Devonian parish churches, original painted decoration survives on wooden screen panels, having been whitewashed over at the Reformation; although almost all have lost their rood beams and lofts, and many have been sawn off at the top of the panelled lower section.
Also at the crossing at the entrance to the choir is a rood beam, which was put in place in 1918 as a memorial to the cathedral's primary benefactor, Sarah E. Batterson, The carvings on the beam were done by Alois Lang of the Manitowoc Seating Works.
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