The mirror is sometimes held by a demon or a putto.

In classical works, children were rarely shown except for babies and Putto.

Burlington's wealth is represented by a putto who holds a cornucopia.

Above the sixth shield, the female face is replaced by the head of a winged child or putto.

The two look at each other while a putto behind them holds a garland of stars above them.

An amorino ("little love") is another name for a putto.

For the winged babies that appear in artwork, sometimes called cherubs, see Putto.

In western art, Putto are sometimes mistaken for Cherubim, although they look nothing alike.

In the middle of the attic line, an angel stands with trombone, at whose feet a Putto crouches.

Insubria is led by a putto and has a horn of plenty at her feet.

But one of the most memorable prints features a putto clasping a leg with a chubby hand.

The more commonly found form putti is the plural of the Italian word putto.

A putto holds a dedication copy up to Anicia.

In 1869 he completed a wooden Putto for the Prince of Naples.

The Gift takes the form of a putto, which Pandora absorbs into her own body with no ill effect.

Other alterations are also visible in the books, the hand of the right putto and the larger hill of the landscape.

Cupidon features short stories about the adventures of a little Putto attempting to bring love on earth.

Today, in Italian, putto means either toddler winged angel or, rarely, toddler boy.

In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.

This putto once hung in the upper right of the piece before, for whatever reason, Vermeer drew the draperies over it.

Bernardo Falconi designed a putto in the high altar.

He graduated in 1950 and in the same year married his fellow student Johanna Putto.

However, in the Baroque period of art, the putto came to represent the omnipresence of God.

He gave putto a distinct character by infusing the form with Christian meanings and using it in new contexts such as musician angels.

Many art historians have commented on the importance of the putto in art but few have undertaken a major study.