oratorio

However, it is different from his other oratorios in some ways.

He works from memory even though the oratorio is almost three hours long.

He brought with him tickets for the performance of an Oratorio.

What we can see from our remove in time is that the oratorio never did such a thing.

He said it is not an opera but an oratorio.

An oratorio may be about two hours long: a whole concert.

Opera is not oratorio but a union of music and story.

The next change in the Oratorio brought up a young lady, singing alone.

The whole oratorio, which lasts a little over one hour, has three parts.

She quickly established her reputation, to begin with in the field of oratorio.

When this arrived, "I saw that there was one for every key situation in the oratorio".

Like most other Latin oratorios of the period, it is in one section only.

Six notes only, all derived from the same place as the very start of the oratorio.

The role of the chorus became increasingly important in his later oratorios.

They are often performed like that, separately from the oratorio.

His work was largely of a light nature but he did not abandon oratorio.

From 2003, he has been training singers for opera and oratorio.

At this time he started to write oratorios instead of operas.

The 1834 work bears little resemblance to the oratorio he wrote as a child in 1789.

He also produced an oratorio, a mass, and a few other sacred works.

The groups, combined as an oratorio choir, became much in demand.

He settled down to concert and oratorio work in England.

It was the least performed of all his oratorios, being revived only once in 1755.

Barnett began her career by 1873 in oratorio and other concert work.

By 1930 the oratorio had been performed over eighty times in nearly as many cities.