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Onomastic analysis has also been brought to bear on the question.
The name may be of Basque origin, as suggested by onomastic analysis.
Sometimes the onomastic irony merely resulted in two viable perceptions of the same place.
They defy all onomastic dictionaries, and exist only in Brazil.
Onomastic evidence indicates that it seems to have occurred some time in the latter half of the eighth century.
Jetté's theory seems to be supported by an onomastic argument.
The theory is based on classical sources, archaeology, as well as onomastic considerations.
On the other hand, a number of phonological, lexical and onomastic features also set Macedonian apart.
The absence of any evidence as to his nomen means that onomastic analysis cannot be applied.
Onomastic analysis has suggested that Nabataean culture may have had multiple influences.
As with much early Irish literature, the digressive onomastic and genealogical material is of great value.
The following names are confined to the Pannonian onomastic province:
Here's the onomastic, or naming, problem: Many Arabs have both formal names and familiar names.
Onomastics.co.uk, a free online resource discussing onomastics and onomastic related issues.
"Don Quixote" is a veritable onomastic carnival.
Naming Ways: "Onomastic customs including favoured forenames and the decent of names within the family."
Includes onomastic lore, which explains place-names.
In brief, then, it is my opinion that this neat, hardbound, onomastic anthology is indeed very readable.
Generally, these onomastic sources have been taken as evidence for a Hurrian expansion to the South and the West.
The onomastic evidence and glosses of Slavic words in foreign-language texts show no detectable regional differences during this period.
Bartholomew is also an English or Scottish surname with the same onomastic meaning as the above as a given name.
This has been explained by Vascologists like Mitxelena as an "onomastic pool".
Some Iberian onomastic elements have look-alikes in Aquitanian or Basque.
Luis uses the term "onomastic displacement" with reference to the multiple nicknames that fragment Yolanda's concept of a whole and unified self.
It uses onomastic rhetoric in Act 3, scene 5 which is where characters play upon their own names, a trait considered to be Senecan.