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These efforts typify what came to be known as neo-noir.
The film has also been labeled as a black comedy and a "neo-noir".
To a certain extent, neo-noir appears to be filmmaker-driven.
He had a nice turn last year in the neo-noir "Killing Them Softly."
Some refer to such latter-day works as neo-noir.
Miller's breakthrough neo-noir provides an array of neat twists & a surprise ending.
Cruz plays Lena, the femme fatale character in this neo-noir.
Only fifteen years later he directed another work, the neo-noir The Scent of the Night.
Taylor's style can be described as neo-noir.
Neo-noir refers to modern films influenced by film noir such as Sin City.
"Drive" is a Los Angeles neo-noir, a neon-lit crime story made with lots of visual style.
The plot of the 2002 science fiction neo-noir film Minority Report concerns itself with a number of themes.
In addition, "tech-noir" film as a hybrid genre, means a work of combining neo-noir and science fiction or cyberpunk.
Kevin Thomas of the Los Angeles Times described the film as "a terrific neo-noir".
The Coen brothers' first masterpiece, their neo-noir 1983 debut (above), relies on its lead characters explaining diddly-squat to each other.
These five books are wildly inventive neo-noir that combines slapstick with dead-on dialogue and unflinching realism.
The 2002 science fiction neo-noir film Minority Report featured numerous fictional future technologies, which have proven prescient based on developments around the world.
Robert Arnett states that "Neo-noir has become so amorphous as a genre/movement, any film featuring a detective or crime qualifies."
The Philosophy of Neo-Noir.
For example, the film Blade Runner is primarily a cyberpunk neo-noir, but it contains gothic elements in its themes and visual design.
A pre-requisite of neo-noir entails the saunter of the trouble-making femme fatale.
The opening scene of the indie neo-noir film The Canyons was shot at the Bar Marmont.
Moore’s tale is a sprawling cold-war murder-mystery, a neo-noir infused with a vast conspiracy and the threat of nuclear armageddon.
Filmed according to the conventions of neo-noir – i.e., mostly in the dark – it largely plays like a series of sumptuously shot ads.
The film also demonstrates how neo-noir's polychrome palette can reproduce many of the expressionistic effects of classic black-and-white noir.
