metaphysical art
pittura metafisica

It is an example of the Metaphysical art style.

Her works can be viewed as tradigital art and metaphysical art.

The influence of metaphysical art is apparent in the way the mannequin-like figures stand detached from their environment and from each other.

She was the only one authorized by the Master of the Metaphysical art movement to retouch his waxes before casting.

Filippo De Pisis, who is often associated with metaphysical art, can also be seen as a magic realist.

Influenced by the Italian metaphysical art it is one of Ernst's earliest works showing surrealistical accents.

Metaphysical Art Gallery.

The San Shi or Three Styles 三式 are considered China's highest metaphysical arts.

Giorgio de Chirico was an influential pre-Surrealist Greek-Italian painter that founded Metaphysical art.

Giorgio de Chirico, and his previous development of metaphysical art, was one of the important joining figures between the philosophical and visual aspects of Surrealism.

The magic system breaks into several types of metaphysical arts including Magic, Seer (psychic) powers, Necromancy, Divine Miracles, and others which are defined in supplements.

The building was designed by Giovanni Guerrini, Ernesto Lapadula and Mario Romano, also inspired by Metaphysical art.

Under a second pseudonym, Aldo Camini, he published anti-philosophical prose, inspired by the Italian representative of Metaphysical art, Carlo Carrà.

His association with metaphysical art comes from the fact that he would often contrapose objects in his still lifes, and set them in a scene that gave them context.

As he sees it, abstract art began as "a religious and metaphysical art, and only later came to seem a bodily thing when its spiritual aspiration was ignored or misunderstood."

In the last years of the 60s, when he moves to Rome, his art becomes influenced by the metaphysical art to develop a style of painting reminiscent of magic realism.

He was also influenced by the Metaphysical art of Carlo Carrà and L'Esprit nouveau of Amédée Ozenfant and Le Corbusier.

During 2006, the Metaphysical Art Gallery, located in Taipei, curated a solo exhibition for Wu Hao, entitled Blossoming: Wu Hao Oil Painting Exhibtion.

These 'Magic Realists' were all influenced by the classicism developed in Italy by the Novecento, and in turn by de Chirico's concept of metaphysical art, which had also branched into surrealism.

Famous painters include Renaissance artist Antonello da Messina, Renato Guttuso and Greek born Giorgio de Chirico who is commonly dubbed the "father of Surrealist art" and founder of the metaphysical art movement.

In 1983, she started creating prototypes of the original works-from color copies, color photos or film negatives made in her graphic arts darkroom-in an attempt to produce metaphysical art, but discovered that the mechanical methods available could not achieve the accuracy of computer systems.

Indeed, Italian Giorgio de Chirico, producing works in the late 1910s under the style arte metafisica (translated as Metaphysical art), is seen as a precursor and as having an "influence...greater than any other painter on the artists of New Objectivity."

He also studied Giorgio De Chirico's role in the evolution of avant-garde artistic culture during World War I. Furthermore, he dedicated other essays to De Chirico, while also publishing a critical edition of the painter's writings on Metaphysical Art.

In Italy, the style that Roh identified was created by a confluence of a renewed focus on harmony and technique called for by the "return to order" and metaphysical art, a style which had been developed by Carlo Carrà and Giorgio de Chirico, two members of the Novecento.

Stylistically, the works from before 1945 range from Fauvism, Expressionism, Pittura Metafisica, and Cubism to works by members of the Blaue Reiter group, as well as Dada and Surrealism.