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Mr. Judd reserved the term for three-dimensional wall and floor pieces that split the difference between painting and sculpture, usually through the use of nonart materials, and avoided the overly familiar generalness of both.
For the generalness of the conception it never could attain to, as this includes under itself all triangles, whether right-angled, acute-angled, etc., whilst the image would always be limited to a single part of this sphere.
