The studio portrait had been handed to him by Mary's mother.
I flipped back to the pages of studio portraits and found her.
In the 1970s, he turned towards the making of studio portraits.
Not even one Jewish family represented in "a nation's studio portrait."
The last thing she saw before he broke contact was the studio portrait of herself on the table in the front hall.
Because I'm a photographer who used to work on studio portraits.
One was a studio portrait of a mother with two children.
On his desk was a studio portrait of a smiling and very pretty girl.
Showing here are several of his posed studio portraits from around the late 1960s or early 1970s.
The edge of a large studio portrait showed, and he pulled it out.
As a photographer he was best known for portrait photography.
While in America, she received a diploma for special services to portrait photography.
In 1877 he started his own studio for portrait photography.
Important part of Berthold's works is also his portrait photography.
And I think the most I'll get out of it, at least for a few years, is local portrait photography.
As such this lens also can be a good choice for portrait photography.
But portrait photography did not remain her only specialty for long.
Throughout the war years there was an unprecedented demand for portrait photography, particularly from service personnel and their families.
He specialized in portrait photography and his works are carefully composed.
When focused at 90mm this will create background blur for portrait photography.
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