fancy lighting

You don't have to pay for all that fancy lighting.

You don't need makeup and fancy lighting to shoot a documentary or home movie.

It made a nice show of leaping flame accompanied by fancy lighting effects but gave forth absolutely no heat.

The idea is to make digital video films quickly and cheaply, without recourse to fancy lighting, special effects or music.

Back East, some theaters had fancy lighting systems that could be dimmed during the performance, so the audience was in darkness while the stage was illuminated.

Fancy lighting, piped-in music.

For its sheer vigor without tricks, stunts, makeup or fancy lighting, Mr. Vinterberg's film was a refreshing change and a remarkable achievement.

This left students wondering why they were experiencing significant tuition increases when the Faculty had money for fancy lighting systems, pods, Belgian glass windows and famous architects.

Sam Samuels nodded approvingly at the shiny blue-tiled walls, the fancy lighting, the sparkling glass counter and the other changes at Pastrami King.

David Bowie's 1987 Stadium extravaganza, the Glass Spider Tour, was overstuffed with dancers, props, videoprojections and fancy lighting effects.

If Ms. Spears isn't singing much in her show, that liberates her to cavort about lasciviously and to interact efficiently with all that fancy lighting and stage machinery.

Apparently to do straight black and white, as in George Clooney's "Good Night, and Good Luck," it's easier to drain than to shoot with B & W stock with fancy lighting.

This set was wider, with fancier lighting, a nook towards the right-hand side of the set (designed to resemble David Horowitz's personal work office), and a riser with two white chairs and a circular table in between.

To have your watch fixed at a store with fancy lighting fixtures and carpeting and experts in lab coats who do not have to yell over the sound of rush-hour madness, try one of the many sleek Tourneau stores around Manhattan.

"Island Mosaic" sorts out these complex influences in a straightforward, cogent way (this is an ethnological-style installation, with no fancy lighting or theatrical positioning), and a 12-page booklet by the curator, Anne M. Spencer, does an excellent job of providing an overview of a subject still little studied.