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The entopic phenomenon can be seen especially when looking at a bright blue sky.
(Occasionally, these are called entopic phenomena, which is probably a typographical mistake.)
The differential diagnosis includes entopic phenomena, which are visual images produced within the eye and reflected to the retina.
It's the Entopic Principle, Peter-the laws of nature exist because our brains can imagine them.
"Graphomania" is also used as part of the name of several surrealist methods, including entopic graphomania.
Surautomatism includes cubomania, entopic graphomania and various types of what the Romanian surrealists called "indecipherable writing".
The book forms part of his surrealist art theory, specifically on the area of entopic graphomania, a surrealist technique invented by the author.
Critics argued that the use of evidence was selective, and that there was insufficient evidence for the authors' three-stage model of entopic phenomenon.
World and other-world crackled as the bolt struck, and there was an ear-stunning roar of entopic noise as she shouted words of Containment.
The majority of the Coso Range images fall into one of six categories: bighorn sheep, entopic images, anthropomorphic or human-like figures, other animals, weapons & tools, and "medicine bag" images.
By now she had gotten used to the speckles and entopic flashes the retina seems to "see" even in total darkness--the lies your eyes tell in order to pretend they still have something to do.
The premise of Inside the Neolithic Mind is that irrespective of cultural differences, all humans share in the ability to enter into altered states of consciousness, in which they experience entopic phenomenon, which the authors discern as a three-stage process leading to visionary experiences.
Entopic graphomania is a surrealist and automatic method of drawing in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots; these can be either "curved lines... or straight lines."
Lewis-Williams first published some of the ideas that would form the basis for his argument in The Mind in the Cave in a 1988 academic paper co-written with Thomas Dowson entitled "The Signs of the Times: entopic phenomenon in Upper Palaeolithic Rock art."
From there, they look at the art motifs found at sites in this part of the continent, highlighting the argument of Dronfield that such motifs were an attempt to depict entopic phenomenon, in doing so drawing ethnographic parallels with the artworks created by shamans among the Tukano people of Amazonia.