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Therefore, my HUD-stamped double-wide didn't have to go through the local building permit process.
But he’s a New Yorker now, and his new band, Double-Wide, combines musicians of both cities.
The song was covered by Sevendust on their Southside Double-Wide: Acoustic Live album.
Well I do have the Double-Wide , and the little lady Patsy Joe Dale Bob.
Another homage is one episode of Stroker & Hoop featured the characters battling zombies using guns made by Double-Wide.
John Ellis and Double-Wide: Cup of Southern Joy (Northern, Too)
Southside Double-Wide: Acoustic Live is the first live album by American hard rock band Sevendust.
Sevendust's live cover of the song was featured on their 2004 live album, Southside Double-Wide: Acoustic Live.
Their performance at the Georgia Theatre would be released as the band's first live album, Southside Double-Wide: Acoustic Live, in May 2004.
Lead singer Lajon Witherspoon stated that the band decided to do an acoustic studio album after the strong positive reaction Southside Double-Wide received from their fanbase.
On October 24, 2011, the Casey Donahew Band released their fourth studio album titled Double-Wide Dream exclusively on iTunes.
Although the band released their critically acclaimed Southside Double-Wide: Acoustic Live in 2004, Time Travelers & Bonfires is their first studio acoustic album.
Live, acoustic versions were also included on the Seasons limited edition DVD and the band's first live album, Southside Double-Wide: Acoustic Live, in 2004.
In 2004, for the first time in the band's career, they released a live album on a CD-DVD double-disk package titled Southside Double-Wide: Acoustic Live.
In recent years he has toured nationally as a member of John Ellis & Double-Wide, Maelstrom Trio, Bonerama, Stanton Moore's Trio, and Bobby Previte's Coalition of the Willing.
Although Kershaw had been told by others that radio audiences might not identify with the subject matter on "Queen of My Double-Wide Trailer", Kershaw wanted to release the song because he had an experience similar to its story line.
“Dance Like There’s No Tomorrow,” the new record by the saxophonist John Ellis and his band Double-Wide, is a New York-New Orleans collection of jazz: something intrinsically promising and, in this case, worth a listen.
