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The film also used 2D digital compositing to materialize characters over a background.
In the late 1980s, digital compositing began to supplant optical effects.
This company is known for concentrating in the areas of animation, 3D visual effects and digital compositing.
The miniature was designed to break apart in a pre-determined sequence so as to allow digital compositing.
Shake was widely used in visual effects and digital compositing for film, video and commercials.
Throughout the 1990s, traditional matte paintings were still in use, but more often in conjunction with digital compositing.
Digital compositing were handled by Video Post.
It is typically used to create visual effects and digital compositing for film, HD and commercials.
Enhanced technology among live action animation, digital compositing, and special effects paved the way for upgrading from established cinematic norms.
Additional digital compositing was done by The Mill, while Cinesite worked on film scanning services.
In filmmaking, a complex and time-consuming process known as "travelling matte" was used prior to the introduction of digital compositing.
Digital compositing is a form of matting, one of four basic compositing methods.
Digital compositing is the process of digitally assembling multiple images to make a final image, typically for print, motion pictures or screen display.
Interpolation effects, digital compositing, and computer generated "virtual" scenery were used to improve the fluidity of the apparent camera motion.
Combined with digital compositing, this further strengthened the power of post production editing and allowed for fine-tuning of the final product's visual presentation.
Chaney employed stunt specialists and practical effects for the majority of the production instead of using digital compositing that was still in its infancy.
However, advancements in digital compositing and the increasing use of digital cameras have made digital the most common method of choice.
Should a given shot prove too tricky to accomplish practically, Barta has no qualms about using digital compositing to blend multiple stop-motion plates.
He began to introduce live-action performance, CGI and digital compositing into the expressionist flow of his animation.
The film was in pre-production for two and a half years before general release, and included some American and British firms in digital compositing.
A. I.L.M. is at the forefront of digital special effects - it basically changed the way movies are created, with digital compositing and other technologies.
DFilm managed scenes that required heavy use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building.
Because of its complexity, rear projection has been largely replaced by digital compositing with, for example, the car positioned in front of a blue or green screen.
Terminator 2: Judgment Day (Additional Digital Compositing)
Digital compositing allows far more control and creative freedom than optical compositing, and does not degrade the image like analogue (optical) processes.
