The term bokeh has appeared in photography books at least since 1998.

The subjective appearance of this blur is known as bokeh.

His photographs' use of bokeh is intended to give them a painterly atmosphere.

The lens' depth of field allows distinct focus on the subject, while providing a beautiful bokeh.

This is most apparent when a lens produces hard-edged bokeh.

This background blurring is often referred to as bokeh by photographers.

It also allows for very narrow depth-of-field and diffuse bokeh.

This gives a Bokeh of the highest quality.

Bokeh occurs for parts of the scene that lie outside the depth of field.

The shape of the aperture has a great influence on the subjective quality of bokeh.

Also, bokeh is not just any blur.

The circular aperture results in a pleasantly soft bokeh.

The name is a portmanteau of the words bokeh (a photographic term) and barcode.

Photographers sometimes refer to the aesthetic character of the area that is out of focus as bokeh.

The photographic term for this is bokeh.

It has received praise for its bokeh (out-of-focus characteristics).

However, bokeh is not limited to highlights; blur occurs in all out-of-focus regions of the image.

The film ends with Kaira smiling at the camera and later a bokeh of lights follows as the screen fades to black.

However, this and all other mirror lenses can produce an undesirable donut shaped bokeh in the image it produces.

There is no precise definition of bokeh and no objective tests for it - as with all aesthetic judgments.

The six-blade diaphragm provides reasonably good out-of-focus blur (bokeh) for portrait work.

Some interesting built-in functions include a bokeh control and in-camera HDR shooting.

When shooting at f/1.8, it offers a very shallow depth of field which is beneficial for isolating subjects against a blurred background (bokeh).

However, bokeh is virtually irrelevant for the tens of millions of very small sensor digital point-and-shoot cameras sold every year.

Since wide aperture lenses are rare today, most contemporary photographers confuse bokeh with shallow depth-of-field, having never seen either.