audio crossover

Most audio crossovers use first to fourth order electrical filters.

The definition of an ideal audio crossover changes relative to the task at hand.

Bessel filters are often used in audio crossover systems.

Audio crossovers are a class of electronic filter used in audio applications.

Also, audio crossover can be more simple.

"Otherwise, there would be audio crossover.

Lenard Education on crossovers illustrated overview of audio crossovers.

Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal.

Fourth-order Linkwitz-Riley crossovers (LR4) are probably today's most commonly used type of audio crossover.

They are used as part of an audio crossover to direct high frequencies to a tweeter while attenuating bass signals which could interfere with, or damage, the speaker.

Most manufacturers of active electronic audio crossovers responded to this requirement by adding an optional CD EQ boost filter or high frequency shelf filter.

Transfer mode can also be used to examine the frequency response of audio equipment, including individual amplifiers, loudspeakers and digital signal processors such as audio crossovers and equalizers.

They produce home/portable, marine and mobile audio products, and are best known for their subwoofers, as well as their audio crossovers and the amplifiers that supplement them.

In many cases this type of speaker also contains digital signal processing (DSP) to provide the audio crossover and other signal processing to provide frequency division and other tonal functions.

Power capacitors, motor capacitors, DC-link capacitors, suppression capacitors, audio crossover capacitors, lighting ballast capacitors, snubber capacitors, coupling, decoupling or bypassing capacitors.

The technique of using a compliantly coupled (or modified) diaphragm for the low frequencies and auxiliary whizzer or modified dust-cap (dome) for the high frequency response of a speaker is a mechanical implementation of an audio crossover.

On the other hand, if the audio crossover separates the audio bands in a loudspeaker, there is no requirement for mathematically ideal characteristics within the crossover itself, as the frequency and phase response of the loudspeaker drivers within their mountings will eclipse the results.

Transfer mode can be used to adjust audio crossover settings for multi-way loudspeakers; similarly, it can be used to adjust only the subwoofer-to-top box crossover characteristics in a sound system where the main, non-subwoofer loudspeakers are flown or rigged but the subwoofers are placed on the ground.

Harvey created a custom molded earpiece for the drummer to block some of the stage noise and focus on the desired sound: a prototype earpiece that contained two tiny speaker drivers, one for low frequencies and one for high frequencies, the frequencies split by a passive audio crossover.

If the separate bands are to be mixed back together again (as in multiband processing), then the ideal audio crossover would split the incoming audio signal into separate bands that do not overlap or interact and which result in an output signal unchanged in frequency, relative levels, and phase response.