artistic property

They are currently developing several feature film, television and artistic properties.

It also included more traditional artwork, evaluating its artistic properties.

You could say it is artistic property and should be considered an aspect of intellectual property.

This report is timely because intellectual and artistic property is now being called into question in the European Union.

So there are elements here that could be termed artistic property rather than industrial property, strictly speaking.

The producer earns the right to future ventures because the original theatrical production enhances the value of an artistic property.

At first, Mr. Patterson defied the District Attorney's subpoena, refusing to surrender the original tape on the ground that it was his artistic property.

In 1974, Michael Chase Walker was living in India researching and acquiring artistic properties for possible productions as full-length animated features.

Jane C. Ginsburg, professor of literary and artistic property law at Columbia Law School, disagrees with the view that copyright laws have become more restrictive for artists.

This re-appropriation of established texts, resources, and artistic properties to tell a story or make a statement is an example of a semiotic phenomenon known as intertextuality or resemiosis.

He has established the Morton L. Janklow Professorship of Literary and Artistic Property Law at the Columbia University School of Law.

In France, he was the president of the commission on intellectual property, which was established in August 1944 and eventually paved the way for the 1957 law on literary and artistic property.

But "that doesn't give them rights to every incarnation of the words 'New York,' " said Jane C. Ginsburg, a professor of literary and artistic property law at Columbia University.

The facemask ends up on the Invisible Market, where it is purchased for its artistic properties by a high-ranking Imperial admiral - purported to be none other than Grand Admiral Thrawn.

It must be stressed, in this connection, that the 'poetic' text in question is not necessarily a part of what is normally described as poetry, but can be any form of literature that possesses aesthetic or artistic properties.

Changes in copyright law that went into effect in 1978 are partly responsible for that notion; so is an increasing general interest in copyright and ownership as newmedia widen the possibilities for illegally appropriating the artistic property of others.

While the saisie-contrefaçon regime, thus spread between so many different articles and different rights, is very homogenous in the field of industrial property, it is quite different and much less homogeneous in the field of literary and artistic property.

Many of Hogarth's earlier works had been reproduced in great numbers without his authority or any payment of royalties, and he was keen to protect his artistic property, so had encouraged his friends in Parliament to pass a law to protect the rights of engravers.

Gervinus, who considered Shakespeare the intellectual property of Germany, in the same way as he considered Handel the artistic property of England, wished above all to inculcate on his countrymen the teachings of healthy practical activity to be found in the works of the English dramatist.

In 1982, he founded the Morton L. Janklow Program for Advocacy in the Arts at Columbia University and later established the Morton L. Janklow Professorship of Literary and Artistic Property Law; Janklow also teaches in the program.

Representing the city of Buenos Aires until 1936, he introduced a number of progressive bills that became law, including needed anti-abuse reforms to rural Argentina's Justice of the Peace system and the landmark Law 11723, the basis for Argentina's Law of Intellectual and Artistic Property.

Mühlmann's work in Poland was so efficient (by his own account, "within six months almost the entire artistic property of the land was seized") that Wolfram Sievers, business manager of the Ahnenerbe, wanted to have him oversee the removal of artworks from South Tyrol, which had been ceded to Italy.

In 1928 he was the Bolivian delegate to the Pan-American Conference in Havana, where he was rapporteur of the Havana Convention for the protection of artistic property and copyright, and then was Bolivian delegate to the International Institute for Intellectual Cooperation.

Bill Graham, who was by then managing Airplane (after a litigious parting with their first manager, Matthew Katz), had to negotiate with Bill Thompson for the legal rights to Grace, who was then technically the artistic property of Howard Wolfe, who still had the Great Society under contract.

Potter was the company's greatest creditor and artistic property, and, when asked to do what she could to save the firm, she agreed to provide a book for Christmas: "I hope Appley Dapply will be in time to be useful, and that it will be as good a season as can be had during this war."