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apsidiole

In that case the very east end is called an apse.

The front was built with five apses between 1294 and 1309.

An apse is set into the east end of the building.

Looking at the front of the church the apse addition would be the far left.

The central apse is larger than those to the north and south.

In this apse was a little open door through which we passed.

On the apse side of the church is the altar.

The east end of the church, has three Norman apses.

Here, the apse is placed in the southern end of the church.

It had an apse added later on its eastern side.

It was later rebuilt into a church, whose apse is still present.

Of roman style is the apse and the right hand side.

At that time, the south wall and the apse were still intact.

Between 1900 and 1903 an apse was added on either side of the choir.

The southern apse cut though the middle of this entrance.

There are also two chambers south of the central apse and a third one to the north.

An apse was built onto the choir of the church.

Building Archaeological studies show that the apse is added later.

The church has three big windows and its apse is well preserved.

The remains of the first altar were found in the apse.

The construction of the present apse may well also date from this period.

The church was restored in 1886 with the construction of a new apse.

The top of the cross was the rounded area called the apse.

A figure of a decorated cross is in the apse.

It still covers the apse and some half of the side walls.

The church has a relatively short transept, each wing ending in a small apsidiole.

A second altar, from which the altarpiece has been removed, is situated in the southern apsidiole.

He has been called the Master of the Last Judgement and is connected with the paintings of the apsidiole of Sant Climent in Taüll.

Malmedy developed around the monastery; until the end of the tenth century, the villagers used the chapel of Saint Laurent, an apsidiole of the abbey church, as their place of worship.

The artwork originated from the southern apsidiole of the Church of Sant Quirze de Pedret and is currently exhibited in the Romanesque Art collection at the Museu Nacional d'Art de Catalunya, Barcelona, Spain.

Taken together they present an important apocalyptic series in which the subject of the Church is related to the coming of the Day of Judgement in a way that is not frequent, centering on the parable of the wise and foolish Virgins in the southern apsidiole.