albumen print

His photographic works included large format hand-coloured albumen prints.

When it was discovered that a mix of egg white would make the paper more sensitive, albumen prints became state of the art.

He initially preferred collodion on glass for portraits, but later switched to albumen prints.

An albumen print was pasted face down to the inside of a concave piece of glass.

Sepia tintypes and albumen prints in old, round frames hang on the white walls of the laboratory.

For the photographer Dan Estabrook, old albumen prints and tintypes inspired a fantasy.

In his large, yellow-tinged albumen prints, archeological objectivity is colored by somber romanticism.

The albumen prints, in particular, have a delicate and precise glow that seems to subtly heighten the dry bright sunlight.

The crystoleum, from "crystal" + "oleum" (oil), process was yet another method of applying colour to albumen prints.

His studio generally produced sepia monochrome albumen prints that were hand-coloured and mounted on album leaves.

Atget's luminous albumen prints are overtly inviting.

In an 1864 albumen print of mountains by Bourne, snow and sky have the hard, porous whiteness of eggshell.

The atlas contained seventy albumen prints of frontal, saggital, and horizontal sections of the brain.

An interesting aspect of the show is the variety of methods used to print the images, including such important 19th-century processes as photogravures and albumen prints.

There are also some technical mistakes, like the mislabeling of albumen prints as daguerreotypes, but the ample documentary photographs are a welcome addition.

When handling cased photographs such as daguerreotypes, albumen prints, and tintypes, especially ones that have been hand-coloured, caution is required.

John Dugdale's albumen prints and cyanotypes are decidedly old-fashioned, both technically and in terms of their narrative romanticism.

Gustave le Gray's albumen print of a crowd of trees in Fontainebleau is full of dark rich tones.

His career spanning six decades, Bell worked in nearly every major early photographic process, including daguerreotype, collodion processes, albumen prints, stereo cards, and early film.

His pictures, often salt or albumen prints, are richly toned nightmares: a truncated elephant's foot, antique and sinister scientific equipment, a murky, apocalyptic sunset, body parts.

A series of albumen prints, reminiscent of Minor White's close-ups of peeling walls and natural surfaces, records the filigreed patterns of the birds' waste.

There is a trading barque Mars in several late 19th century photographs (albumen prints) in the collection of the New Bedford Whaling Museum.

Another rarity is an 1858 albumen print of a photograph of Abraham Lincoln, attributed to Henry H. or Roderick M. Cole.

Sommer worked in all the popular formats of his day: carte de visite, stereoview, and large albumen prints (approximately 8x10) which were sold individually and in bound albums.

He purchased his first camera, an "abnormally thick" Platyscope B, on February 2, 1884, and took his first photograph, an albumen print of his sister, the following day.