additive synthesis

The signals could then be mixed together to perform additive synthesis.

The K5000 is credited as one of the few commercial synthesizers to use additive synthesis.

Frequencies outside of the human audible range can be omitted in additive synthesis.

Windscape uses additive synthesis and is controlled via a matrix.

Additive synthesis is used in electronic musical instruments.

A sawtooth can be constructed using additive synthesis.

Basically it was a crude variation of Additive Synthesis.

Summation of principal components and Walsh functions have also been classified as additive synthesis.

This representation can be re-synthesized using additive synthesis.

Additive synthesis can be implemented using a bank of sinusoidal oscillators, one for each partial.

It was Kawai's second attempt at additive synthesis.

Additive synthesis builds sounds by adding together waveforms (which are usually harmonically related).

Additive synthesis generates sound by adding the output of multiple sine wave generators.

The simplest harmonic additive synthesis can be mathematically expressed as:

Harmless - Performs subtractive synthesis using an additive synthesis engine.

Modern-day implementations of additive synthesis are mainly digital.

Also onboard the DSS-1 is a simple, non-realtime additive synthesis engine.

Instead, the synthesized speech output is created using additive synthesis and an acoustic model (physical modelling synthesis).

As a result only a finite number of sinusoidal terms with frequencies that lie within the audible range are modeled in additive synthesis.

Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together.

Voices: 8 voices (no sampling, just numeric additive synthesis with 128 harmonics)

The Emax SE added an additive synthesis engine that let the user create sounds from scratch.

For example, purely electronic interpretation of pipe organ and tonewheel organ (based on additive synthesis design) seems promised approach.

It is unique in that it is capable of both subtractive synthesis and additive synthesis.

In linguistics research, harmonic additive synthesis was used in 1950s to play back modified and synthetic speech spectrograms.