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William began the development of an additive colour film process called Biocolour.
After reading up on the subject in the library they started to experiment with additive colour processes.
This technique takes advantage of the spatial additive colour.
The first major advance came in 1861 with J. Clerk Maxwell's additive colour theory.
His idea, called additive colour or the RGB colour model, is used today to create colours on televisions and computer screens.
However, TMOS technology is based on temporal additive colour, it exploits the temporal resolving power of the human visual system.
The Joly Colour process is an early additive colour photography process devised by Dublin physicist John Joly in 1894.
John Joly of Dublin devises the Joly colour screen, an additive colour photographic process for producing images from a single photographic plate.
He applied Maxwell's additive colour theory to the construction of a transparent screen, ruled with thin lines in the three primaries, which formed a tiny checked red, blue and green pattern on the surface.
The Finlay colour process was an early additive colour photography process devised by Englishman Clare L. Finlay which could produce a picture in natural colour with a single exposure.
