For the next nine years, he acted as executive director of the American National Theater and Academy.

In 1962, Dunaway joined the American National Theater and Academy.

He then moved to New York City where he was executive director of the American National Theater and Academy from 1976 to 1979.

She was also a major supporter of the American National Theater and Academy and the Henry Street Settlement.

He was also a director of the American National Theater and Academy and was a trustee of Elmira College.

In the 1960's, Mr. Abel was the president of the American National Theater and Academy during a major expansion of the organization.

American National Theater and Academy (ANTA)

He later became a Governor of the RSC as well as Chairman of the American National Theatre and Academy.

Broadway (1952) - Directed by Harold Clurman, produced by The American National Theater and Academy.

The American National Theatre and Academy production, directed by Guthrie McClintic, was part of Le Festival International.

Wood received numerous awards for her theatrical work and for a while was president of American National Theater and Academy (ANTA).

The American National Theater and Academy purchased it in 1950 and renamed it the ANTA Theatre.

Performing-Arts Post In 1946, he was appointed first executive secretary of the American National Theater and Academy, which was chartered by Congress to assist the performing arts.

Mrs. Inness-Brown was a member and officer of the American National Theatre and Academy (ANTA).

Together they started the National Theatre Conservatory, a graduate program created by Act of Congress and Presidential designation in association with the American National Theatre and Academy.

She was president of the American Theater Wing and the American National Theater and Academy and was the national chairwoman of women's activities for the March of Dimes.

He worked there for a dozen years, while also editing Chapter One, the newsletter of the Greater New York chapter of the American National Theatre and Academy (ANTA).

A longtime New York lawyer and Broadway producer (and present-day chairman of the American National Theater and Academy), Mr. Seawell collaborated on stage projects with Ms. Bonfils.

As translator, director and a star of Chekhov's "Seagull" in 1964, Miss Le Gallienne received from Adlai E. Stevenson the award of the American National Theater and Academy.

Mrs. Inness-Brown, a native of Medford, Mass., was vice chairman of the State Department's International Cultural Exchange Service of the American National Theater and Academy from 1954 to 1963.

During the mid-1950s, the board of directors for the American National Theater and Academy (this organization eventually evolved into the National Endowment for the Arts) was interested in creating a repertory theater of national standing.

In an earlier performance of Hamlet while a young actor in Minneapolis, he met his wife, the former Wilva Davis, whose home over the Hudson Theater was headquarters for the American National Theater and Academy during its early years.

Miss Lortel was frustrated by the success of "Threepenny Opera" because she wanted to bring more plays into her theater, so she persuaded the American National Theater and Academy to support a matinee series as a "laboratory for innovation."

In 1957, she sang for President Dwight D. Eisenhower's inauguration and toured India and the Far East as a goodwill ambassadress through the U.S. State Department and the American National Theater and Academy.

The Denver Center's Education Department was started in October 1984 when the DCPA and the American National Theatre and Academy joined together to establish the National Theatre Conservatory, a three-year graduate acting program.