Sometimes you can't tell the magic realism from the corn.
His films are known for their use of magic realism.
All this adds up to a kind of magic realism.
In this movie, so are the magic realism and the corn.
Is such a process an example of what the academics call "magic realism"?
In a way, Williams anticipated a kind of magic realism for the stage.
This, after all, is the privilege of magic realism: it never has to lead, much less add up, to anything.
He is known for his unique style, influenced by magic realism.
It should not be confused with a separate movement known as Magic realism.
This is truly magic realism: the kind you can't see, that has to be explained.