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It is now generally accepted, however, that the instrument intended was some variant of the sopranino recorder.
The quote is incredibly well disguised, and features a prominent solo for the Sopranino Recorder.
George Marge - sopranino recorder on "Rosalinda's Eyes"
An unusual flauto piccolo or sopranino recorder is used to illustrate the sparkling of the morning star.
Outside life at the hospital, he likes going to restaurants with Joanna, playing table tennis, playing the sopranino recorder and is keen on botany.
This is followed by his aria "O ruddier than the cherry" which is written in counterpoint to a sopranino recorder.
Flame Robin for sopranino recorder solo (Forsyth) 1'
At the other end of the size-and- weight spectrum is the diminutive sopranino recorder (although that instrument's family also contains the fairly hefty bass recorder).
Farings for sopranino recorder and piano (Forsyth) (the published compilation of all double-asterisked items) 15'
Paluma for sopranino recorder and piano (arranged from movement IV of Igórochki) (MS) 4'
He plays blues harmonica and alto, soprano, and sopranino recorders, and occasionally blows kazoo, pennywhistle, and various wooden flutes.
Lindsay Cooper - bassoon, oboe, soprano saxophone, sopranino recorders, vocals ("Viva Pa Ubu")
In between comes Miss Petri with a brace of Baroque charmers: Concertos for Descant and Sopranino Recorders by Sammartini and Vivaldi (632-2799).
Ms. Petri, meanwhile, was employed in more appropriate fare: Sammartini's Descant Recorder Concerto in F and Vivaldi's Sopranino Recorder Concerto in C (RV 443).
The musicologist Thurston Dart mistakenly suggested that it was intended for flageolets at a higher pitch, and in a recording under Neville Marriner using Dart's editions it was played an octave higher than usual on sopranino recorders.
The piping tones of the sopranino recorder - the Baroque equivalent of the modern piccolo - may not be to everyone's taste, but one cannot deny that, as played by the Danish virtuoso Michala Petri, they provide a marvelous, often plaintive, edge to Vivaldi's massed string timbres.