long take

The video features a long take of the camera pulling away from West.

The film opens with a 9-minute long take of a married couple riding in a car together.

The long take is rarely used in television, because of its complexity and high mastery required.

One particular long take follows two characters for exactly 2 minutes and 42 seconds as they fight their way between hospital floors.

But perhaps the most touching scene is a long take of Elgar sitting with his wife at a table, under a single light.

Rivette's preference for the long take was the main reason why such a schedule could be maintained.

The highly-stylized video shows a long take of Ocean sitting around in a darkly lit room.

Mizoguchi is renowned for his mastery of the long take and mise-en-scène.

The video features a long take of the rappers saying their verses while walking around a parking garage.

The long take has become as much of a convention in art-house fare as quick cutting in pop cinema.

A long take of an entire scene, generally a relatively long shot that facilitates the assembly of component closer shots and details.

The emotional scene in the bar, in which Cynthia realises that she is indeed Hortense's mother, was filmed in a long take of almost 8 minutes.

But his reaction to her promiscuity is to take a chastening midnight run across Manhattan from the East River to the Hudson along 28th Street, shot in a single long take of extraordinary beauty.

A long take follows, of Gaga strutting through the red-lit district singing the line "I got a reason that you should take me home tonight", and a shock of black hair falls in her eyes.

This long take of Kelsey Bewildered - or, as the case may be, Kelsey Angry or Kelsey Passionate - is the hook to get fans to tune in for the next episode.

The highly-stylized video shows a long take of all four rappers featured on the song, along with other GOOD Music recording artists such as Cyhi the Prynce and Kid Cudi in cameos.

In the past animation was usually distinguished from live action by two factors: each frame of film was exposed individually, rather than as part of a longer take; and the illusion of movement was created, rather than recorded.

Once the narrative reaches 'Serenity' herself, Whedon uses a long take of several minutes to establish "safety",Whedon, 'Serenity: Director's Commentary', track 1 "Living Weapon" as well as (re-)introduce every character aboard ship and touch on their personality and motivations.