camera dolly

Camera dollies have several steering mechanisms available to the dolly grip.

Some grips may specialize in operating camera dollies or camera cranes.

J.L. Fisher, for development of camera dollies.

These camera dollies were nicknamed by the crew as "the Woo-Woo Choo-Choo".

The Grip in charge of operating the camera dollies and camera cranes is called the Dolly Grip.

Jim Carrey, stripped of his antic impulse, stands tall, his mouth slightly open with awe, while the camera dollies in to ogle him appreciatively.

A few types of vehicle use only rear wheel steering, notably fork lift trucks, camera dollies, early pay loaders, Buckminster Fuller's Dymaxion car, and the ThrustSSC.

Because the camera dollies had to support two cameras-one conventional electronic orthicon tube TV camera, and one 35mm motion picture camera-the system was bulky and heavy, and somewhat clumsy in operation.

Begun by the directors Thomas Vinterberg and Lars Von Trier, Dogma 95 rejects the use of lighting, camera dollies, scored music and a host of other tools of mainstream cinema.

The production used five 3ality Technical Atom 3D rigs, four of which were configured with Red Epic 3D cameras set on camera dollies and tripods, which were continuously in use during filming.

This technique was put to significant use during the "Beauty and the Beast" waltz sequence, in which Belle and Beast dance through a computer-generated ballroom as the camera dollies around them in simulated 3D space.

The films were very ambitious, and Dana's team would borrow shopping carts to act as camera dollies, climb up on ladders and buildings for long shots and meticulously edit and loop the films for maximum comedic effect.

Some camera dollies used in the film industry have a "round" mode which allows them to spin around their z axis by allowing synchronized inverse rotation of their front and rear wheel sets, effectively giving them "zero" turning radius.

When the camera dollies in close enough to make it possible, for this season cleavage is "in" but the areola is "out," The Brute's big hand darts in from off-camera, smites her ivory cheek stingingly (the straddle-gaited lumbering music stings too) and drops below the frame of the picture, whereupon we hear silk ripping.

The effect is achieved by using the setting of a zoom lens to adjust the angle of view (often referred to as field of view or FOV) while the camera dollies (or moves) towards or away from the subject in such a way as to keep the subject the same size in the frame throughout.