auricular style

The frame is in the Auricular style with putti and angels.

Ringnis work can be recognized by his elaborate auricular style in a high Renaissance framework.

He became known along with his brother for the auricular style of cartilaginous arabesques in baroque art.

Painted delftware tiles were very cheap and common, if rarely of really high quality, but silver, especially in the auricular style, led Europe.

Another Dutch silversmith who worked in the auricular style was Thomas Bogaert.

The figures often appear to be conversing with each other in a setting framed by reliefs and decorations in the Auricular style.

The pulpit and altarpiece were carved around the middle of the 1600s by Abel Schrøder in the auricular style.

Designed by Jørgen Ringnis, the intricately carved pulpit (1639) is in the Auricular style.

The church provides excellent examples of work intricately carved by Jørgen Ringnis in the Auricular style.

Schroder, Timothy, "Auricular style."

He was a pupil of Paulus van Vianen who was known for his auricular style in silver, so-called for its smooth, ear-like forms.

The pulpit carved in the auricular style by Jørgen Ringnis (1645) is similar to those in Toreby and Væggerløse.

The pulpit (1640) in the Auricular style is the work of Jørgen Ringnis who crafted several carved pulpits for Falster churches.

In the Netherlands a uniquely anamorphic "auricular style", employing writhing and anti-architectural cartilaginous motifs was developed by the van Vianen family of silversmiths.

Around the mid-century, Cardinal Leopoldo de' Medici had his large picture collection, housed in the Pitti Palace in Florence, reframed in the auricular style, perhaps influenced by Stefano della Bella.

The auricular style or lobate style (Dutch: Kwabstijl) is a style of ornamental decoration, mainly found in Northern Europe in the first half of the 17th century, bridging Northern Mannerism and the Baroque.

Paulus Willemsz van Vianen (1570-1614) was a silversmith, medallist and sculptor of the Northern Netherlands, trained in Northern Mannerism but then important in developing the Baroque auricular style with his brother Adam van Vianen.

A bratina or Russian toasting-cup in the Walters Art Museum was made in Russia in 1650-70 in an auricular style that was presumably copied from pieces brought in by Dutch traders, perhaps as gifts to ease trade deals.